If video editors set up the project before they travel, they have the convenience of their project in a smaller sized package and won't need the same amount of hard drive space or computational power to get the job done. Sometimes a video editor needs to be out in the field or work on-site with a client, away from the editor's editing bay. This same convenience is beneficial to the one-man show. It may seem the small-packaged remote convenience of an offline edit is most advantageous to a larger post-production facility working with a freelance video editor. The project is then conformed online using an editor's EDL and the facility's source footage. Video editors can then work on the project conveniently from their remote location and turn in an EDL to the post-house. If multiple editors are in multiple locations, it makes much more sense to give them an offline project to work on. These editors are working on projects that utilize the same source footage. Post-production houses employ their own editors and contract freelance help as well. It helps them to work efficiently in real-time, tackling projects with high volumes of digital cinema footage.Īnother use for offline editing that is common in larger post-production facilities concerns the need for multiple editors to access source footage.
This digital cinema footage can stress smaller computer systems and video editors are once again finding the benefits of offline editing.
Technology is now in a state of transition again, today's digital cinema cameras are outputting high resolution footage with minimal compression. As a result, many smaller production houses and one-man band producers no longer need to do offline editing.
#SCRATCH OFFLINE EDITOR VS ONLINE EDITOR SOFTWARE#
Technology continues to grow and push the boundaries of what's possible in the world of video editing.Īs technology progresses the software and hardware used in video editing becomes more robust and able to handle larger files.
#SCRATCH OFFLINE EDITOR VS ONLINE EDITOR FULL#
This way the video editing process wasn't slowed down because of a computer's difficulty in handling full resolution footage. As video editing transitioned from a tape based workflow to an entirely digital workflow, offline editing was used so a video editor could work in real-time with the reduced file size of proxy footage. It also allowed the final edit of a tape workflow to come from the source footage instead of footage that was duplicated and degraded through copying across multiple edits. The earliest use was so video editors wouldn't have to use source tapes over and over again, wearing them out. There are many reasons for offline editing.
The offline edit also shares transitions and effects with the online edit for a complete re-creation of a video editor's work. The online edit is created by taking the timecode from the offline edit and applying it to the corresponding source footage, making a duplicate edit at full resolution. After the offline edit is completed using the proxy footage, the online edit is conformed to the offline edit. The original video files are not used in the editing process, instead footage that is lower in resolution, with a smaller file size, and thus a lesser data rate, is used. Offline editing in simple terms is the use of proxy footage, duplicate footage of the original source, for video editing. Video editors need to be prepared for the edge of the envelope and offline editing can help them swallow the biggest of projects with ease. Screen resolution continues to increase, effects become more verbose, and the upper limit of editing computers is stretched to the max. Technology continues to grow and push the boundaries of what's possible in the world of video editing. There's wisdom in the old adage "never bite off more than you can chew." It's good advice because too much of a good thing can cause one to choke.